
None of this though detracts from the technically flawless production of SBTRKT. Not a singer himself, Jerome has equipped his album with a wide array of vocal talents- notably Little Dragon’s Yukimi Nagano, London singer Sampha, and Roses Gabor. When SBTRKT works, it really kills. Songs like “Wildfire”, “Sanctuary”, and “Pharoahs” are perfectly executed tunes that boast an energetic playfulness separating them from the dour tendencies a less direct album may indulge. Furthermore, “Trials of the Past”, featuring Sampha, is a thoughtful, lonely slice of R&B with an infectious loop snaking its way across the peripheral. And while it may be true that SBTRKT is not the ambitious gamechanger many hoped for or predicted, this says more about the recent high quality of bass culture itself- a movement that seemingly always stops just short of pretension. Nobody doubts that Jerome is capable of delivering his own clubbed-out, innovative masterpiece. But for now it seems that SBTRKT is content to have fun with the listener at the highest level possible and perhaps that is a reasonably, logical progression of the genre. This is after all his debut; Jerome has the rest of his career to be challenging.
STANDOUT TRACKS INCLUDE:
SBTRKT - WILDFIRE by Fabio Ramoz
SBTRKT - Sanctuary by smithblogsatlanta
- Fr. Jones
SBTRKT - WILDFIRE by Fabio Ramoz
SBTRKT - Sanctuary by smithblogsatlanta
- Fr. Jones
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